|Product Dimensions||28.7 x 24.38 x 13.97 cm; 45.36 Grams|
|Item Model Number||3059X00060|
|Item Weight||45.4 g|
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AKG Pro Audio C414 XLII Vocal Condenser Microphone, Multipattern
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|Brand||AKG Pro Audio|
|Audio sensitivity||158 dB|
About this item
- Sonic character of the famous AKG C12 delivers astounding sound quality for lead vocals and solo instruments
- Nine selectable polar patterns for the perfect setting for every application
- Three attenuation levels (-6/-12/-18dB) for close-up recording or high-output sources of up to 158dB SPL
- Three switchable different bass-cut filters to reduce wind noise, stage vibration or proximity effect
- Overload warning with audio peak hold LED to detect shortest audio peaks
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The AKG C 414 XLII multi-pattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live sound applications and permanent installations, all controls can easily be disabled for trouble-free use. The C414 XLII version differs from the C414 XLS version in one major respect - the capsule. The C414 XLII's slight presence boost and impressive spatial reproduction are both similar to the legendary AKG C12 microphone from 1953.
From the manufacturer
THE CLASSIC C12 SOUNDfor recording of lead vocals and solo instruments in studio and on stage
The C414 XLII multi-pattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live-sound applications and permanent installations, all controls can easily be disabled for trouble-free use.The C414 XLII version differs from the C414 XLS version in one major respect ? the capsule. The C414 XLII's slight presence boost and impressive spatial reproduction are both similar to the legendary AKG C12 microphone from 1953.
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If you buy a microphone at twice the price, it won't be superior to this when it comes to its ability to record sounds faithfully. I won't waste your time reiterating what other soundmen have written on this site, but suffice to say, it's damn good.
Why have I said: 'Be careful what you wish for?' You will quickly learn that it will pick up sounds not heard by your good self when in the throes of making the recording, namely, you wish to produce sounds that are truly realistic ... but your recording may include sounds that you will swear weren't there. Air conditioning, fridges and freezers, a dripping tap ten feet away (3Mtrs), a car door being slammed three streets away ... this mike has 'ears on elastic'. If you have numerous Phantom Voltage settings, you will find solace in selecting a lower Phantom Voltage, as this will reduce the microphone's output amplitude.
Worthy of note; Although it may be a pretty tall order, this microphone can be overloaded if the sound source exceeds 100dB's ... along with the human ear!
My first experience with this microphone was to discover I had a single note on my piano, which had lost its damping felt, allowing the strings to sustain oscillation for a very long time. It wrecked the recording.
If you decide to buy this rather expensive mic, your recordings will step up to the next level ... now all you have to do is buy a speaker system with x-over network to do it justice!
I bought two of these which I feed through a pair of Joemeek VC3s and the quality of the sound is quite frankly excellent. I purposely didn't go for the matched stereo pair as I really don't think it matters and having two microphones that are ever so slightly different, to my ears anyway, gives a better and more interesting sound.
The C214 comes in a rugged case with a professional shock mount and windshield.
The signal delivered by the C214 is up there with the best of them and the only difference I can see between these and the more expensive C414 (which I have also used) is the extra polar patterns available. The sound is crisp and detailed, my guitar and vocals have never sounded better.
They are very sensitive mics and I would recommend using them in an acoustically treated environment to cut down on background noise... I hang a duvet on the wall behind me to cut down on room reflections. I employ the low cut filter to reduce the boom of both my bassy voice and the guitar as I like the sound of close miking. A 20db cut is also provided should you need it for louder sources such as drums.
For the hobbyist home recording studio the C214 is an excellent choice to make professional sounding recordings economically.
If you are an acoustic guitarist/singer then I can highly recommend these microphones. I just wish I had bought them years ago... They are so good that I am re-recording a load of my songs.....
These are my first foray into professional mics, so I have little else to compare them with (other than a little USB snowball mic!). But these are in a totally different class all together!! On setting up for my first test recording, I was simply blown away with the sensitivity and how accurately these mics will capture detail. On my first listen back to my recording through headphones, I had to double-take - as I actually thought someone was in the room with me physically playing my drums!! I simply was not prepared for what I was about to witness. The accuracy and realism of the recording was incredible! - These mics pic up every minute nuance of your performance, and even pick stuff up I couldn't humanly detect with my own ears. (For instance, they even picked up the sound of the click track playing in my in-ears with huge Peltor Ear Defenders over the top!). They have a lovely smooth top-end (admission: I didn't even know what this meant, until I listened back to my recording, and heard it for myself with my own ears!). The cymbals have a lovely wash to them when played, with no harsh overtones at all. The cardiod pickup pattern also does a great job of rejecting unwanted room noise from the recording, by rejecting everything from the rear of the microphone. With careful microphone placement you can achieve fantastic results. (Note: these mics are fixed at 'cardiod' - so if you are wanting omnidirectional mics, you will have to look at the more expensive C314, or C414 mics that come with different selectable polar patterns).
I didn't opt to buy a 'matched stereo pair' (it's a hotly debated topic in audio circles) so I saved a bit by buying individual mics separately. I'm not convinced I have a 'perfectly matched pair of ears', and in any case I dare say the average listener can't audibly detect the difference in a blind listening test - so that's good enough for me!!
The build quality is impressive too - they feel reassuringly heavy and rugged. The suppled flight case is well padded, and should hopefully keep these mics in tip top condition for years of useful service.
The mic itself is very good quality and produces a very flat sound, using the figure of eight pattern I've been able to get some really good mid-side stereo recordings when used with the Rode NT1a. For home recording I am very pleased.