The Fellowship of the Ring: The Lord of the Rings, Book 1 Audible Audiobook – Unabridged
|New from||Used from|
This brand-new unabridged audiobook of The Fellowship of the Ring, the first part of J. R. R. Tolkien’s epic adventure, The Lord of the Rings, is read by the BAFTA award-winning actor, director and author Andy Serkis.
In a sleepy village in the Shire, a young hobbit is entrusted with an immense task. He must make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ruling Ring of Power - the only thing that prevents the Dark Lord Sauron’s evil dominion.
Thus begins J. R. R. Tolkien’s classic tale of adventure, which continues in The Two Towers and The Return of the King.
- Get this audiobook free then 1 credit each month, good for any title you like - yours to keep, even if you cancel
- Listen all you want to the Plus Catalogue—a selection of thousands of Audible Originals, audiobooks and podcasts, including exclusive series
- Exclusive member-only deals
- $16.45 a month after 30 days. Cancel anytime
|Listening Length||22 hours and 38 minutes|
|Author||J. R. R. Tolkien|
|Whispersync for Voice||Ready|
|Audible.com.au Release Date||16 September 2021|
|Best Sellers Rank||
60 in Audible Books & Originals (See Top 100 in Audible Books & Originals)
1 in Dragon & Mythical Creatures Fantasy
2 in Classic Literature
3 in Classic Literature & Fiction
Review this product
Top reviews from Australia
There was a problem filtering reviews right now. Please try again later.
Top reviews from other countries
However, as mentioned, this book isn't perfect. At times the pacing can be very slow, there's also a LOT of text that is purely long text of the travelling they're doing and the land around them. If the land were fantastical and there were much to see during all of these, it would make sense, but often it is simply written to emphasise the length of their journey. As a result, it can drag and can sometimes take a little rereading.
However I cannot knock this book down for that as it is part of what gives the book its feel. It is supposed to feel like a long journey for naive hobbits travelling much much further than they ever have before and seeing many characters, creatures and cultures they never knew even existed. Can't wait to read the second...but may have a couple days off to build up the concentration levels again.
Based on Tolkien's own second edition, the book omits his 1954 Foreword, which he himself came to regret as misconceived, but includes his revised Foreword of 1966 and his 1966 Prologue. We're also given a seven page Note on the Text by Douglas A. Anderson, as well as a four page Note on the 50th Anniversary Edition by Wayne G. Hammond and Christina Scull.
Tolkien would probably chuckle if he knew that two of his frustrated wishes for his book have finally been granted half a century after he proposed them. The tengwar ring inscription has at last been printed in fiery red instead of black; and a tipped in, fold-out plate reproduces his laboriously crafted, battle-distressed pages from the Book of Mazarbul, already well known to fans from their appearance in a Tolkien calendar and then in Pictures by J. R. R. Tolkien. The inscription on the Door of Moria, by contrast, remains in its familiar black on white, a retreat from the arguably more fitting white on black alternative ventured in the large format hardcover edition featuring paintings by Alan Lee. The only other illustrations are Christopher Tolkien's canonical red and black maps of part of the Shire and of the west of Middle-earth, the latter in its much improved, Unfinished Tales version but now reduced to only about a quarter of its original area. Readers with eyes as keen as Gwaihir's may regret that lines that were once firm and true are now pixelatedly fuzzy; those who would prefer a larger map should seek out the poster-sized version redone by John Howe ( The Maps of Tolkien's Middle-earth: Special Edition ).
The design of the text is very similar to that of the second edition, the only obvious difference being that the PostScript Monotype Plantin font is slightly smaller than the Imprint font of yore. The traditional tengwar and runes still adorn the title page, now accompanied by a JRRT monogram. L.E.G.O., Harper Collins's Italian printer, has printed the text crisply on a smooth, cream-coloured paper much like that often used by Everyman's Library, a touch less opaque than would be ideal but not to the point of being objectionable.
The book is signature bound with a black and yellow headband, and comes in a robust black cover with elegant gilt lettering. It lies nicely flat when opened. The dust jacket, matt and reminiscent of parchment but with a tough plastic lining, allows us to enjoy a motif painted by Tolkien himself, in which Sauron's Eye stares at us through the Ruling Ring and its tengwar, while Vilya, Nenya and Narya jointly confront his malevolence. The jacket's English lettering is printed in a striking copper foil, which lamplight kindles to a gleam that's rather beautiful.
This admirable, almost perfect edition of Tolkien's masterpiece probably comes closer than any other to bringing us his book in the form that he desired. Warmly recommended.
Reviewed in the United Kingdom on 20 February 2021
Still stands the test of time and while there is too much poetry/singing for my liking, the story hangs together well and moves along at the jaunty pace.
Great fun, escapist fantasy.
Join Frodo, Sam , Gandalf and the company as they start their journey to Mordor to destroy the Ring which Sauron so badly wants.
A classic and highly recommended.