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- Is Discontinued By Manufacturer : No
- Product Dimensions : 30.48 x 32 x 2.54 cm; 226.8 Grams
- Manufacturer : MUTE
- Manufacturer reference : WA-27623053
- Original Release Date : 2015
- Run time : 59 minutes
- Label : MUTE
- ASIN : B00Q3OAOC6
- Number of discs : 2
- Best Sellers Rank: 10,140 in Music (See Top 100 in Music)
- Customer Reviews:
Frequently bought together
Nick Cave and the Bad Seeds was originally formed in 1984 by two former members of the Australian band the Birthday Party: Nick Cave (vocals, songwriter, keyboards, harmonica) and multi-instrumentalist Mick Harvey. They were joined by Einstürzende Neubauten member Blixa Bargeld (guitar), Hugo Race (guitar), and former Magazine member Barry Adamson (bass, piano). Cave's former girlfriend Anita Lane was also a creative influence and occasional lyricist. This line-up recorded their debut album, from Her to Eternity, released in 1984. During their initial Australian tour, Birthday Party bass guitarist Tracy Pew also performed with the band. With the Bad Seeds, Cave continued to explore his obsessions with religion, death, love, America, and violence with a bizarre, sometimes self-consciously eclectic hybrid of blues, gospel, rock, and arty post-punk, although in a more subdued fashion than his work with the Birthday Party. Cave also allowed his literary aspirations to come to the forefront; the lyrics are narrative prose, heavy on literary allusions and myth-making, and take some inspiration from Leonard Cohen. Cave's gloomy lyrics, dark musical arrangements, and deep baritone voice recall the albums of Scott Walker, who also obsessed over death and love with a frightening passion. However, Cave brings a hefty amount of post-punk experimentalism to Walker's epic dark pop.
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Top reviews from other countries
This is a collection of breathtakingly original, genuinely spooky songs, each telling a story from beinning to end. Where The Wild Roses Grow, Death Is Not The End, Henry Lee are all brilliant, but then so is every track on this album. If you like original music that has something to say, this is an album for you.
Only, don't listen to it last thing at night. You may want to sleep with the lights on .........
Song Of Joy - despite the title, this is a harrowing tale of a doctor who turns up one night at a stranger's desolate house, asking if he will be given shelter for the night in payment for him telling the homeowner a tale of his life. He does not wait for an answer and launches into his story - how he married a young woman named Joy but soon after, she fell victim to a 'melancholy' that settled over the house, making her children as quiet as Church mice, almost as though Joyce could foresee her bloody end. One night the doctor came home from a house-call to find his wife and three children stabbed to death - the children still in their cots. Spookily, the doctor adds that they never caught the man responsible. Would you believe him - and would you let him stay the night??
Lovely Creature - this song is setting a man's worst nightmare to music. He takes a beautiful, well-dressed girl out for a walk, imagining that he takes her past the pyramids and all sorts of fanciful places, only to return home without her. He says he does not know where she has gone, but then he adds that she lies buried underground, still with the ribbons in her hair and green gloves upon her hands ........
Henry Lee - Probably the most twisted love story ever set to music. PJ Harvey's slightly flat, melancholy tones perfectly match Cave's - despite their actual ages, they are perfectly believable as a young couple thrown together by a chance meeting. Only she wants more than he can give her - and when he tells her he has a sweetheart back home, she stabs him 'through and through' with a penknife. "Lie there, lie there, little Henry Lee, til the flesh drops from your bones'. Who ever heard such a chilling line sung? "The girl you have in that merry green land can wait forever for you to come home," she adds viciously, before disposing of his body in a "deep, deep well that's more than one hundred feet."
Where The Wild Roses Grow - the most polished song on the album, but also one of the most charming. Nick Cave saw something in Kylie - the way she can keep on adapting and growing, her ability to allow other artistes to mould her into something new - and he knew that Kylie's sweet innocence would be ideal for the role of Eliza Day. She's the young romantic who falls for a man who gives her wild roses, then he kills her and lays her in the river next to those roses. He believes she is too beautiful to live. Eliza is singing her part of the duet from the grave - she wants the world to know that she had a name - Eliza Day - rather than the sensationalist tag "The Wild Rose". You can just imagine the newspapers coming up with that sort of moniker for the murdered girl.
The Curse of Millhaven - a bawdy romp through the murderous antics of Loretta ("I prefer Lottie") who sits at the interview table, restrained by a strait-jacket, her lips foaming as she gleefully recounts her killings - ("I'm a monster, I admit it!" Any song that can rhyme the phrase 'Rorshach Tests' is a winner with me. Classic lines - "Well, my hair ain't yellow and my eyes ain't green / it's more like the other way around!" and "If bad was a boot, I'd fit it."
Death Is Not The End - The Bad Seeds, Shane McGowan, Kylie, PJ Harvey, and Anita Lane join Nick Cave for a final, desperately hopeful sing-along. Death Is Not the End they say, and if Eliza Day can sing from beyond the grave, how can it be?
Stagger Lee - he knows he's the baddest guy in town and now he's going to make sure everyone else knows it too. He ignores the old prostitute trying to tempt him and instead turns his attentions to her pimp before killing him. It's like the lowest, meanest Western come to life ......
The Kindness of Strangers - this is a fantastic, excellent song. Young Mary Bellows leaves her home in Arkansas for the first time, to see the sea and spread her wings. She takes a train to a nameless town and, on said train, she meets a man "called Richard Slade" who she chats with on the journey. He even carries her suitcase to the door of her hotel room, but remembering her mother's advice, she tells him, "I'm a good girl, sir, she said to him / I couldn't possibly permit you in". So Slade, seeming to take this well, "tips his hat and winks his eye / and turned away without goodbye".
Alone in her room, Mary ponders on her new friendship, and begins to think her life may be more exciting if she took a few risks. So, "In hope and loneliness, she crossed the floor / and undid the latch on her front door." This is the worst thing she could have done, for Richard Slade, it turns out (if that is even his real name), wasn't that happy after all at being turned away earlier.
"They found Mary Bellows cuffed to the bed, with a rag in her mouth and a bullet in her head / O poor Mary Bellows" sings Cave, with all the macabre intonation of the sensationalist Victorian newspapers of the day. Mary echoes his last verse - warning others: "So mothers keep your girls at home / don't let them journey out alone \ tell them this world is full of danger \ to shun the company of strangers." Mary's crying can be heard as the song peters out. It's a genuinely haunting song - it greally makes your skin prickle.
How could you not love an album that not only contains such fantastic songs but, among the credits, details who did the 'screaming' and the 'crying' as well as who played what instrument. And on "The Curse of Millhaven", the Bad Seeds and Anita Lane among others join in on backing vocals as the "Moron Tabernacle Choir"!
Unfortunately, there's one song that was missed off this album of 'Murder Ballads' - a song I would have loved to hear. It's where two hundred music fans murder Peter Andre ...........
Having packed the trip essentials - Gin; Tonic; Bat Bite Serum and a packet of rat poison, all I had to do was contemplate the long drive to Pendle Hill.
Readers of my past reviews will know that music is an important source of inspiration to me, and the way I was feeling, I needed all the help I could get. Luckily, I stumbled upon this album. Dark, melancholy, tortured. It encapsulated my exact emotions at the time and put me in a perfect frame of mind for yet another weekend of hell. (It also gave me some ideas for future visits....)
Nick Cave fans - this is a wonderful album that rewards repeated hearing. Fellow Devil/Disciple sufferers - buy it. At the very least you'll appreciate that you're not alone in your misery!
I find listening to this album to be quite unsettling, but at the same time blackly comic and almost uplifting. I can't think of another artist who could even hope to pull off this quite amazing feat. From the very morbid "Song of Joy" opening, through the exceptionally foul mouthed "Stagger Lee" and finishing on a re-orked version of "Death is not the end," (featuring guest vocals from the likes of Shane McGowan, Kylie Minogue and PJ Harvey) you can't help but be taken aback by it all.
The highlight of the album for me is "Where the Wild Roses grow," which is a duet with Kylie Minogue, (The best song she'll ever do) her voice providing a nice contrast with Cave's own haunting vocals.
This is not Cave's finest work, but it is certainly one of his bravest and though it might not be the first Cd you reach for, it deserves it's place on your shelf alongside all the other Nick Cave albums.
This is just for any prospective buyers of this release.
Single sleeve 2× vinyls on 180gram.10 tracks spread over the 2 vinyls ensures that you will get the best sound possible,and boy do you.
No lyric sheet
Well worth adding to your collection,excellent pressing..
However, it’s worth noting to any prospective vinyl buyers that side D is completely blank, making it very handy as a test disc in aligning the anti-skate of your turntable. A hugely valuable resource that isn’t always easy to find. And if like me, you already wanted the album, so much the better. Enjoy!