Daniel Ankele

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Books By Daniel Ankele
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PAUL CEZANNE: LANDSCAPES Art Book contains 185+ Reproductions of Oil and Watercolor Landscapes with annotations and biography. Book includes Table of Contents, Top 50 Museums of the World and is compatible with all Kindle devices, Kindle for iOS and Android tablets (use rotate and/or zoom feature on landscape/horizontal images for optimal viewing).
(Author Note: This art book contains only reproductions of Cezanne's landscape work. For his portrait, nudes and still lifes, see our other Cezanne Kindle books.)
The bearded Provençal leans disconcertingly into his subject, the mighty Mont Sainte-Victoire in the distance. He has painted this mountain many times before, but his tenacious concentration is not dimmed as his bloodshot eyes bulge out of his head, reaching toward nature. Then, adding an overlapping layer of tone and form, he daubs another patch of color, building carefully towards realization.
Even more than most artists, Paul Cézanne’s life was his work. As his friend and fellow-painter Émile Bernard once said, “his method of study was a meditation with a brush in his hands.” His times were tumultuous; while Cézanne was still in school, the restored monarchy was dislodged in favor of the Second Republic (1848), which was soon thrust aside as its leader crowned himself the new emperor (1852). And when Cézanne was in his early thirties, struggling to establish himself in the Parisian art scene, the Franco-Prussian War led to the Siege of Paris and the crumbling of the Second Empire as internecine violence gripped the streets. Then the Third Republic and a France that increasingly swept aside old ways in a surge of industrial and urban development. Yet, you must search hard to find signs of these events in Cézanne’s work (cont).
(Author Note: This art book contains only reproductions of Cezanne's landscape work. For his portrait, nudes and still lifes, see our other Cezanne Kindle books.)
The bearded Provençal leans disconcertingly into his subject, the mighty Mont Sainte-Victoire in the distance. He has painted this mountain many times before, but his tenacious concentration is not dimmed as his bloodshot eyes bulge out of his head, reaching toward nature. Then, adding an overlapping layer of tone and form, he daubs another patch of color, building carefully towards realization.
Even more than most artists, Paul Cézanne’s life was his work. As his friend and fellow-painter Émile Bernard once said, “his method of study was a meditation with a brush in his hands.” His times were tumultuous; while Cézanne was still in school, the restored monarchy was dislodged in favor of the Second Republic (1848), which was soon thrust aside as its leader crowned himself the new emperor (1852). And when Cézanne was in his early thirties, struggling to establish himself in the Parisian art scene, the Franco-Prussian War led to the Siege of Paris and the crumbling of the Second Empire as internecine violence gripped the streets. Then the Third Republic and a France that increasingly swept aside old ways in a surge of industrial and urban development. Yet, you must search hard to find signs of these events in Cézanne’s work (cont).
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$4.16
JOHN SINGER SARGENT A-M Art Book contains 515+ Reproductions of Impressionist and Realist portraits, landscapes, and seascapes with annotations and biography. Book includes Table of Contents, Top 50 Museums and is formatted for all Kindle devices, Kindle for iOS and Android tablets (use rotate and/or zoom feature on landscape/horizontal images for optimal viewing).
(Due to the large number of paintings produced by Sargent, this volume contains his A-M titles only. See volume II for titles N-Z with 500 more images.)
The life of artist John Singer Sargent was one full of contradictions. An American, he was born in Florence, Italy, to expatriate parents FitzWilliam and Mary Sargent. Called “the leading portrait painter of his generation”, portraits were not necessarily his favorite subject, his preference being for landscapes and architectural themes. Working when Impressionism and Cubism were on the rise, Sargent painted with exquisite Realism, bringing to mind the grand masters he studied such as Gainsborough, Tintoretto, Velasquez, and Degas. And finally, the work he considered “...the best thing I have ever done,” was a portrait that when initially exhibited received such a negative reaction that it likely prompted him to move from Paris to London. Yet somehow in the midst of all this contradiction, perhaps even because of it, his work is dazzling.
Sargent’s childhood was, to say the least, unusual. His parents left the United States in 1854, for the health of his mother, who suffered a breakdown after the death of their first daughter, at age two. Although the move to Europe was always labeled temporary, they never returned to live in America. Based in Paris, they were nomadic in Europe, constantly moving--again, for reasons of health. They sought temperate climates at all seasons of the year, traveling between the seashore and the mountains. Stopped in Florence because of a cholera epidemic, John was born on what is traditionally accepted to be January 12, although his father, writing home to American relatives, allowed it might have been the 11th, or even the 10th.
Due to their unsettled lifestyle, John’s education was necessarily sporadic. He had occasional tutors, but most of his learning came from lessons with his father, as well as his mother’s dedication to exposing him to the fine museums and cathedrals in the various places to which they traveled. His parents both showed artistic talent. His father, an eye doctor, was a gifted medical illustrator, and his mother a fine amateur artist who provided her son with sketchbooks and drawing pencils during a time when artistic talent wasn’t often encouraged. At age 13 she would say of him, “John sketches quite nicely... If we could afford to give him really good lessons, he would soon be quite a little artist.” (Continued)
See our John Singer Sargent "Portraits" and "Cityscapes and Landscapes" art books with larger formatted images and full data page for each painting.)
(Due to the large number of paintings produced by Sargent, this volume contains his A-M titles only. See volume II for titles N-Z with 500 more images.)
The life of artist John Singer Sargent was one full of contradictions. An American, he was born in Florence, Italy, to expatriate parents FitzWilliam and Mary Sargent. Called “the leading portrait painter of his generation”, portraits were not necessarily his favorite subject, his preference being for landscapes and architectural themes. Working when Impressionism and Cubism were on the rise, Sargent painted with exquisite Realism, bringing to mind the grand masters he studied such as Gainsborough, Tintoretto, Velasquez, and Degas. And finally, the work he considered “...the best thing I have ever done,” was a portrait that when initially exhibited received such a negative reaction that it likely prompted him to move from Paris to London. Yet somehow in the midst of all this contradiction, perhaps even because of it, his work is dazzling.
Sargent’s childhood was, to say the least, unusual. His parents left the United States in 1854, for the health of his mother, who suffered a breakdown after the death of their first daughter, at age two. Although the move to Europe was always labeled temporary, they never returned to live in America. Based in Paris, they were nomadic in Europe, constantly moving--again, for reasons of health. They sought temperate climates at all seasons of the year, traveling between the seashore and the mountains. Stopped in Florence because of a cholera epidemic, John was born on what is traditionally accepted to be January 12, although his father, writing home to American relatives, allowed it might have been the 11th, or even the 10th.
Due to their unsettled lifestyle, John’s education was necessarily sporadic. He had occasional tutors, but most of his learning came from lessons with his father, as well as his mother’s dedication to exposing him to the fine museums and cathedrals in the various places to which they traveled. His parents both showed artistic talent. His father, an eye doctor, was a gifted medical illustrator, and his mother a fine amateur artist who provided her son with sketchbooks and drawing pencils during a time when artistic talent wasn’t often encouraged. At age 13 she would say of him, “John sketches quite nicely... If we could afford to give him really good lessons, he would soon be quite a little artist.” (Continued)
See our John Singer Sargent "Portraits" and "Cityscapes and Landscapes" art books with larger formatted images and full data page for each painting.)
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by
Daniel Ankele
,
Hudson River School
,
Albert Bierstadt
,
Asher B. Durand
,
Frederic Church
,
Jasper Francis Cropsey
,
Sanford Robinson Gifford
,
Thomas Cole
,
Thomas Moran
$7.10
HUDSON RIVER SCHOOL Art Book contains 385 spectacular reproductions of landscapes, seascapes, wildlife and pastoral scenes with annotations and biography/interesting facts page for each artist. Book includes Table of Contents, Top 50 Museums of the World, and is formatted for all Kindle devices, Kindle for iOS and Android Tablets (use rotate and/or zoom feature on landscape/horizontal images for optimal viewing).
HUDSON RIVER SCHOOL ARTISTS
Albert Bierstadt, Asher B. Durand, Frederic E. Church, George Inness, Jasper F. Cropsey, John Kensett, Martin Johnson Heade, Sanford Robinson Gifford, Thomas Cole, Thomas Doughty, Thomas Moran, Worthington Whittredge.
INTERESTING FACTS:
§ Hudson River School was a mid-19th century art movement by a group of landscape painters influenced by romanticism.
§ Artist Thomas Cole is acknowledged as the founder of the Hudson River School.
§ The first generation of H.R.S artists only painted the Hudson River Valley and surrounding areas.
§ The H.R.S paintings reflect three primary themes: exploration, discovery and settlement.
§ The H.R.S artists believed that nature in the form of the American landscape was an ineffable manifestation of God.
§ The H.R.S paintings prompted people to preserve the national parks and create city parks.
HUDSON RIVER SCHOOL ARTISTS
Albert Bierstadt, Asher B. Durand, Frederic E. Church, George Inness, Jasper F. Cropsey, John Kensett, Martin Johnson Heade, Sanford Robinson Gifford, Thomas Cole, Thomas Doughty, Thomas Moran, Worthington Whittredge.
INTERESTING FACTS:
§ Hudson River School was a mid-19th century art movement by a group of landscape painters influenced by romanticism.
§ Artist Thomas Cole is acknowledged as the founder of the Hudson River School.
§ The first generation of H.R.S artists only painted the Hudson River Valley and surrounding areas.
§ The H.R.S paintings reflect three primary themes: exploration, discovery and settlement.
§ The H.R.S artists believed that nature in the form of the American landscape was an ineffable manifestation of God.
§ The H.R.S paintings prompted people to preserve the national parks and create city parks.
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$3.99
JULIEN DUPRE Art Book contains 45+ Reproductions of French Genre Scenes with title,date and interesting facts page below. Book includes Table of Contents, thumbnail gallery and is formatted for all Kindle readers and Tablets (use rotate and/or zoom feature on landscape/horizontal images for optimal viewing).
BORN: March 18, 1851 in Paris, France.
DIED: April 16, 1910 in Paris, France.
MOVEMENT: Realism
INTERESTING FACTS:
§ Dupré studied the Ecole des Arts Decoratifs and Ecole des Beaux-Arts.
§ In 1875, he traveled to Picardy and studied under rural genre painter Desire Francois Laugee.
§ In 1876, he exhibited his first painting at the Paris Salon. He continued exhibiting every year until his death in 1910.
§ In 1889, he received a gold medal at the Exposition Universelle for his series on the life of a farm worker.
NOTABLE WORKS:
In the Fields, Peasant Girl with Sheep, Returning from the Fields, The Gleaners.
BORN: March 18, 1851 in Paris, France.
DIED: April 16, 1910 in Paris, France.
MOVEMENT: Realism
INTERESTING FACTS:
§ Dupré studied the Ecole des Arts Decoratifs and Ecole des Beaux-Arts.
§ In 1875, he traveled to Picardy and studied under rural genre painter Desire Francois Laugee.
§ In 1876, he exhibited his first painting at the Paris Salon. He continued exhibiting every year until his death in 1910.
§ In 1889, he received a gold medal at the Exposition Universelle for his series on the life of a farm worker.
NOTABLE WORKS:
In the Fields, Peasant Girl with Sheep, Returning from the Fields, The Gleaners.
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$5.16
PIETER BRUEGEL THE YOUNGER Art Book contains 50+ Reproductions of landscapes, religious and genre scenes with title,date and interesting facts page below.
Book includes Table of Contents, thumbnail gallery and is formatted for all Kindle readers and Tablets (use rotate and/or zoom feature on landscape/horizontal images for optimal viewing).
BORN: 1564 in Brussels, Belgium.
DIED: October 10, 1638 in Antwerp, Netherlands.
MOVEMENT: Northern Renaissance
INTERESTING FACTS:
§ Bruegel and his brother Jan were raised by their grandmother, Mayken Verhulst, after their father and mother died.
§ Bruegel painted in the style of his father Pieter the Elder and also copied many of his works.
§ In 1588, Bruegel married Elisabeth Goddelet and they had seven children.
§ Pieter Bruegel The Younger is also referred to as ‘Hell Bruegel’ for his delight in paintings scenes suggestive of the horrors of hell, imps, devils and the like.
NOTABLE WORKS:
Crucifixion, The Census at Bethlehem, and Village Lawyer.
Book includes Table of Contents, thumbnail gallery and is formatted for all Kindle readers and Tablets (use rotate and/or zoom feature on landscape/horizontal images for optimal viewing).
BORN: 1564 in Brussels, Belgium.
DIED: October 10, 1638 in Antwerp, Netherlands.
MOVEMENT: Northern Renaissance
INTERESTING FACTS:
§ Bruegel and his brother Jan were raised by their grandmother, Mayken Verhulst, after their father and mother died.
§ Bruegel painted in the style of his father Pieter the Elder and also copied many of his works.
§ In 1588, Bruegel married Elisabeth Goddelet and they had seven children.
§ Pieter Bruegel The Younger is also referred to as ‘Hell Bruegel’ for his delight in paintings scenes suggestive of the horrors of hell, imps, devils and the like.
NOTABLE WORKS:
Crucifixion, The Census at Bethlehem, and Village Lawyer.
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$7.25
PIETER BRUEGEL THE ELDER Art Book contains 210+ Reproductions of landscapes, religious and genre scenes with title,date and interesting facts page below.
Book includes Table of Contents, thumbnail gallery and is formatted for all Kindle readers and Tablets (use rotate and/or zoom feature on landscape/horizontal images for optimal viewing).
BORN: 1525 in Breda, Duchy of Brabant, Netherlands.
DIED: September 9, 1569 in Brussels,Duchy of Brabant, Netherlands.
MOVEMENT: Northern Renaissance
INTERESTING FACTS:
§ Bruegel studied under Pieter Coecke van Aelst, a leading artist in Brussels.
§ He worked with tempera, an egg yolk suspension on linen.
§ Bruegel worked for Hiëronymus Cock, a publisher in Antwerp. His drawings and etchings were profitable due to his early style resembling Hiëronymus Bosch.
NOTABLE WORKS:
Peasant and Bird Nester, The Flight into Egypt, Tower of Babel and The Magpie on the Gallows.
Book includes Table of Contents, thumbnail gallery and is formatted for all Kindle readers and Tablets (use rotate and/or zoom feature on landscape/horizontal images for optimal viewing).
BORN: 1525 in Breda, Duchy of Brabant, Netherlands.
DIED: September 9, 1569 in Brussels,Duchy of Brabant, Netherlands.
MOVEMENT: Northern Renaissance
INTERESTING FACTS:
§ Bruegel studied under Pieter Coecke van Aelst, a leading artist in Brussels.
§ He worked with tempera, an egg yolk suspension on linen.
§ Bruegel worked for Hiëronymus Cock, a publisher in Antwerp. His drawings and etchings were profitable due to his early style resembling Hiëronymus Bosch.
NOTABLE WORKS:
Peasant and Bird Nester, The Flight into Egypt, Tower of Babel and The Magpie on the Gallows.
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$4.12
JOSEPH TURNER Art Book contains 150 Reproductions of Landscapes, Seascapes and Maritime Scenes with title,date and interesting facts page below. Book includes Table of Contents, thumbnail gallery and is formatted for all Kindle readers and Tablets (use rotate and/or zoom feature on landscape/horizontal images for optimal viewing).
BORN: April 23 1775 in Covent Garden, London, England.
DIED: December 19, 1851 in Chelsea, London, England.
MOVEMENT: Romanticism
INTERESTING FACTS:
§ Turner is considered one of the greatest British watercolor landscape painters of all time.
§ Turner studied at the Royal Academy of Art Schools in 1789, when he was only 14 years old.
§ Turner believed that light was the emanation of God’s spirit and painted his later works as an expression of that spirituality.
§ At his death, Turner left a large fortune that he hoped would support “older artists.” He previously designed and planned an almshouse for them at Twickenham with a gallery for his works. Most of his dying wishes were not honored.
NOTABLE WORKS:
The Grand Canal; Rain, Steam and Speed-The Great Western Railway; The Burning of the Houses of Parliament, The Slave Ship.
BORN: April 23 1775 in Covent Garden, London, England.
DIED: December 19, 1851 in Chelsea, London, England.
MOVEMENT: Romanticism
INTERESTING FACTS:
§ Turner is considered one of the greatest British watercolor landscape painters of all time.
§ Turner studied at the Royal Academy of Art Schools in 1789, when he was only 14 years old.
§ Turner believed that light was the emanation of God’s spirit and painted his later works as an expression of that spirituality.
§ At his death, Turner left a large fortune that he hoped would support “older artists.” He previously designed and planned an almshouse for them at Twickenham with a gallery for his works. Most of his dying wishes were not honored.
NOTABLE WORKS:
The Grand Canal; Rain, Steam and Speed-The Great Western Railway; The Burning of the Houses of Parliament, The Slave Ship.
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$5.16
JOHN LAFARGE Art Book contains 145+ Reproductions of landscapes, seascapes, flowers and genre scenes with title,date and interesting facts page below. Book includes Table of Contents, thumbnail gallery and is formatted for all Kindle readers and Tablets (use rotate and/or zoom feature on landscape/horizontal images for optimal viewing).
BORN: March 31, 1835 in New York City, New York.
DIED: November 14, 1910 in New York.
MOVEMENT: American Tonalist
INTERESTING FACTS:
§ In 1856, LaFarge studied in France under Thomas Couture, and then later with painter William Morris Hunt.
§ In 1859, he illustrated Tennyson’s Enoch Arden and Robert Browning’s Men and Women.
§ LaFarge travelled extensively to the South Pacific, the Orient and Tahiti, thoroughly documenting his travels.
§ In 1904, he was of seven artists chosen as a member of the American Academy of Arts and Letters.
NOTABLE WORKS:
Fayaway Sails Her Boat, Roses in Blue Crackle Glass Pitcher, The Peak of Maua Roa, The Three Wise Men.
BORN: March 31, 1835 in New York City, New York.
DIED: November 14, 1910 in New York.
MOVEMENT: American Tonalist
INTERESTING FACTS:
§ In 1856, LaFarge studied in France under Thomas Couture, and then later with painter William Morris Hunt.
§ In 1859, he illustrated Tennyson’s Enoch Arden and Robert Browning’s Men and Women.
§ LaFarge travelled extensively to the South Pacific, the Orient and Tahiti, thoroughly documenting his travels.
§ In 1904, he was of seven artists chosen as a member of the American Academy of Arts and Letters.
NOTABLE WORKS:
Fayaway Sails Her Boat, Roses in Blue Crackle Glass Pitcher, The Peak of Maua Roa, The Three Wise Men.
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Edward Curtis: Tribal Portraits - 750+ Photographic Reproductions - 88 Native American Indian Tribes
21/02/2013
$5.14
(Revised 10/2014 - 750+ HD Tribal Portraits formatted for Kindle HDX, HD, Kindle for iOS and Android tablets with annotations and Edward Curtis biography.)
EDWARD CURTIS: TRIBAL PORTRAITS Art Book contains 750+ HD Tribal portraits of 88 different Native American Tribes. Book includes; Annotations, Edward Curtis Biography, Table of Contents, Top 50 Museums of the World and is compatible with all Kindle devices, Kindle for iOS and Android tablets (use rotate and/or zoom feature on landscape/horizontal images for optimal viewing).
Edward Sheriff Curtis was born on February 16, 1868 in Whitewater, Wisconsin. His father, Reverend Asahel “Johnson” Curtis, was also a Civil War Veteran. Although he had purchased and attempted to work a farm, Rev. Curtis was so weakened by the war that the family suffered severe poverty and hardship. In 1874 they moved to Minnesota to work with Rev. Curtis’ father, also named Asahel, in his grocery store. He was also the Postmaster.
Even after moving, the Curtis family’s life was difficult. Edward, also called Eddy, often supplemented the family dinner table with whatever he could catch—muskrats, snapping turtles, fish. He left school in sixth grade, and soon after, built himself a camera, after discovering a camera lens brought home by his father from the war and following instructions he found in Wilson’s Photographics. Taking photographs was a welcome addition to his dreary life, and it was something to be proud of. But at age fourteen he was forced to mostly put the camera aside; with his older brother leaving home and his father becoming more and more ill, it was left to him to support the family. He got a part-time job with the railroad, and relied more than ever on bringing home wildlife to provide the family food, along with the kitchen garden that he planted. Still, photography remained a passion, and by age 17 he had become apprenticed to a photographer in St. Paul. Two years later, having tapped out all their possibilities in Minnesota the entire family moved west to Puget Sound, Washington. Eddy and his father went out first. They homesteaded, building a cabin, planting a garden and fruit trees. A few months later, in the spring of 1888, the rest of the family joined them. But the happy reunion was short-lived, as Rev. Curtis’ health problems finally caught up with him, and he died of pneumonia three days after the rest of the family arrived. A near-fatal accident falling from a log severely damaged Eddy’s spine not long after, causing him to remain nearly bed-ridden for almost a year.
The forced inactivity, however, gave Curtis time to look out the window at the beautiful Washington landscapes, and also time to return to experimenting with photography. He decided to pursue photography professionally, and moved to Seattle, where he purchased a partnership in a photographic studio for $150. He was soon joined by Clara Phillips, with whom he had begun a friendship back in Puget Sound, and they were married. After six months in his original partnership, he left to form a new studio with Thomas Guptill, “Curtis and Guptill Photographers and Photoengravers”. Success followed rapidly, and after just four years in Seattle he had become very well-known in the community. His claim was to produce the “…finest photographic work in the city” and it seemed everyone agreed. (cont)
EDWARD CURTIS: TRIBAL PORTRAITS Art Book contains 750+ HD Tribal portraits of 88 different Native American Tribes. Book includes; Annotations, Edward Curtis Biography, Table of Contents, Top 50 Museums of the World and is compatible with all Kindle devices, Kindle for iOS and Android tablets (use rotate and/or zoom feature on landscape/horizontal images for optimal viewing).
Edward Sheriff Curtis was born on February 16, 1868 in Whitewater, Wisconsin. His father, Reverend Asahel “Johnson” Curtis, was also a Civil War Veteran. Although he had purchased and attempted to work a farm, Rev. Curtis was so weakened by the war that the family suffered severe poverty and hardship. In 1874 they moved to Minnesota to work with Rev. Curtis’ father, also named Asahel, in his grocery store. He was also the Postmaster.
Even after moving, the Curtis family’s life was difficult. Edward, also called Eddy, often supplemented the family dinner table with whatever he could catch—muskrats, snapping turtles, fish. He left school in sixth grade, and soon after, built himself a camera, after discovering a camera lens brought home by his father from the war and following instructions he found in Wilson’s Photographics. Taking photographs was a welcome addition to his dreary life, and it was something to be proud of. But at age fourteen he was forced to mostly put the camera aside; with his older brother leaving home and his father becoming more and more ill, it was left to him to support the family. He got a part-time job with the railroad, and relied more than ever on bringing home wildlife to provide the family food, along with the kitchen garden that he planted. Still, photography remained a passion, and by age 17 he had become apprenticed to a photographer in St. Paul. Two years later, having tapped out all their possibilities in Minnesota the entire family moved west to Puget Sound, Washington. Eddy and his father went out first. They homesteaded, building a cabin, planting a garden and fruit trees. A few months later, in the spring of 1888, the rest of the family joined them. But the happy reunion was short-lived, as Rev. Curtis’ health problems finally caught up with him, and he died of pneumonia three days after the rest of the family arrived. A near-fatal accident falling from a log severely damaged Eddy’s spine not long after, causing him to remain nearly bed-ridden for almost a year.
The forced inactivity, however, gave Curtis time to look out the window at the beautiful Washington landscapes, and also time to return to experimenting with photography. He decided to pursue photography professionally, and moved to Seattle, where he purchased a partnership in a photographic studio for $150. He was soon joined by Clara Phillips, with whom he had begun a friendship back in Puget Sound, and they were married. After six months in his original partnership, he left to form a new studio with Thomas Guptill, “Curtis and Guptill Photographers and Photoengravers”. Success followed rapidly, and after just four years in Seattle he had become very well-known in the community. His claim was to produce the “…finest photographic work in the city” and it seemed everyone agreed. (cont)
includes tax, if applicable
$4.12
PAUL CEZANNE: STILL LIFES Art Book contains 80+ Reproductions of Oil and Watercolor Still Lifes with annotations and biography. Book includes Table of Contents, Top 50 Museums of the World and is compatible with all Kindle devices, Kindle for iOS and Android tablets (use rotate and/or zoom feature on landscape/horizontal images for optimal viewing).
(Author Note: This art book contains Cezanne's still life work only. For his landscape, nudes and portraits, see our other Cezanne Kindle books.)
The bearded Provençal leans disconcertingly into his subject, the mighty Mont Sainte-Victoire in the distance. He has painted this mountain many times before, but his tenacious concentration is not dimmed as his bloodshot eyes bulge out of his head, reaching toward nature. Then, adding an overlapping layer of tone and form, he daubs another patch of color, building carefully towards realization.
Even more than most artists, Paul Cézanne’s life was his work. As his friend and fellow-painter Émile Bernard once said, “his method of study was a meditation with a brush in his hands.” His times were tumultuous; while Cézanne was still in school, the restored monarchy was dislodged in favor of the Second Republic (1848), which was soon thrust aside as its leader crowned himself the new emperor (1852). And when Cézanne was in his early thirties, struggling to establish himself in the Parisian art scene, the Franco-Prussian War led to the Siege of Paris and the crumbling of the Second Empire as internecine violence gripped the streets. Then the Third Republic and a France that increasingly swept aside old ways in a surge of industrial and urban development. Yet, you must search hard to find signs of these events in Cézanne’s work (cont).
(Author Note: This art book contains Cezanne's still life work only. For his landscape, nudes and portraits, see our other Cezanne Kindle books.)
The bearded Provençal leans disconcertingly into his subject, the mighty Mont Sainte-Victoire in the distance. He has painted this mountain many times before, but his tenacious concentration is not dimmed as his bloodshot eyes bulge out of his head, reaching toward nature. Then, adding an overlapping layer of tone and form, he daubs another patch of color, building carefully towards realization.
Even more than most artists, Paul Cézanne’s life was his work. As his friend and fellow-painter Émile Bernard once said, “his method of study was a meditation with a brush in his hands.” His times were tumultuous; while Cézanne was still in school, the restored monarchy was dislodged in favor of the Second Republic (1848), which was soon thrust aside as its leader crowned himself the new emperor (1852). And when Cézanne was in his early thirties, struggling to establish himself in the Parisian art scene, the Franco-Prussian War led to the Siege of Paris and the crumbling of the Second Empire as internecine violence gripped the streets. Then the Third Republic and a France that increasingly swept aside old ways in a surge of industrial and urban development. Yet, you must search hard to find signs of these events in Cézanne’s work (cont).
includes tax, if applicable
$4.12
HARRISON FISHER Art Book contains 115 'Fisher Girl' reproductions from books, magazines and advertisements with introduction below. Book includes Table of Contents, thumbnail gallery and is formatted for all Kindle readers and Tablets (use rotate and/or zoom feature on landscape/horizontal images for optimal viewing).
Harrison Fisher was known as "The Father of a Thousand Girls.” Fisher showed an early interest in drawing. At the age of six he was taught by his landscape painter father, Hugh Antoine Fisher. Fisher's family moved from New York to California where he studied art at the Mark Hopkins Institute of Art in San Francisco. At sixteen, he began to make drawings for the San Francisco Call and the Examiner. Fisher returned to New York and worked as a staff artist for Puck Magazine. Recognized for his ability to draw beautiful women, the Fisher Girl soon became a rival of the Gibson girl and the Christy girl. After Puck Magazine Fisher did covers for Cosmopolitan magazine, for which he was under exclusive contract. Fisher is also known for his portraits of actresses and theatrical personalities.
Harrison Fisher was known as "The Father of a Thousand Girls.” Fisher showed an early interest in drawing. At the age of six he was taught by his landscape painter father, Hugh Antoine Fisher. Fisher's family moved from New York to California where he studied art at the Mark Hopkins Institute of Art in San Francisco. At sixteen, he began to make drawings for the San Francisco Call and the Examiner. Fisher returned to New York and worked as a staff artist for Puck Magazine. Recognized for his ability to draw beautiful women, the Fisher Girl soon became a rival of the Gibson girl and the Christy girl. After Puck Magazine Fisher did covers for Cosmopolitan magazine, for which he was under exclusive contract. Fisher is also known for his portraits of actresses and theatrical personalities.
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$5.16
PAUL CEZANNE: PORTRAITS Art Book contains 130+ Reproductions of Oil and Watercolor Portraits, Religious and Genre Scenes annotations and biography. Book includes Table of Contents, Top 50 Museums of the World and is compatible with all Kindle devices, Kindle for iOS and Android tablets (use rotate and/or zoom feature on landscape/horizontal images for optimal viewing).
(Author Note: This art book contains Cezanne's portrait work only. For his landscapes, nudes and still lifes, see our other Cezanne Kindle books.)
The bearded Provençal leans disconcertingly into his subject, the mighty Mont Sainte-Victoire in the distance. He has painted this mountain many times before, but his tenacious concentration is not dimmed as his bloodshot eyes bulge out of his head, reaching toward nature. Then, adding an overlapping layer of tone and form, he daubs another patch of color, building carefully towards realization.
Even more than most artists, Paul Cézanne’s life was his work. As his friend and fellow-painter Émile Bernard once said, “his method of study was a meditation with a brush in his hands.” His times were tumultuous; while Cézanne was still in school, the restored monarchy was dislodged in favor of the Second Republic (1848), which was soon thrust aside as its leader crowned himself the new emperor (1852). And when Cézanne was in his early thirties, struggling to establish himself in the Parisian art scene, the Franco-Prussian War led to the Siege of Paris and the crumbling of the Second Empire as internecine violence gripped the streets. Then the Third Republic and a France that increasingly swept aside old ways in a surge of industrial and urban development. Yet, you must search hard to find signs of these events in Cézanne’s work (cont).
(Author Note: This art book contains Cezanne's portrait work only. For his landscapes, nudes and still lifes, see our other Cezanne Kindle books.)
The bearded Provençal leans disconcertingly into his subject, the mighty Mont Sainte-Victoire in the distance. He has painted this mountain many times before, but his tenacious concentration is not dimmed as his bloodshot eyes bulge out of his head, reaching toward nature. Then, adding an overlapping layer of tone and form, he daubs another patch of color, building carefully towards realization.
Even more than most artists, Paul Cézanne’s life was his work. As his friend and fellow-painter Émile Bernard once said, “his method of study was a meditation with a brush in his hands.” His times were tumultuous; while Cézanne was still in school, the restored monarchy was dislodged in favor of the Second Republic (1848), which was soon thrust aside as its leader crowned himself the new emperor (1852). And when Cézanne was in his early thirties, struggling to establish himself in the Parisian art scene, the Franco-Prussian War led to the Siege of Paris and the crumbling of the Second Empire as internecine violence gripped the streets. Then the Third Republic and a France that increasingly swept aside old ways in a surge of industrial and urban development. Yet, you must search hard to find signs of these events in Cézanne’s work (cont).
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