Similar authors to follow
Manage your follows
Customers Also Bought Items By
'Mariana Enriquez is a mesmerizing writer who demands to be read. Like Bolaño, she is interested in matters of life and death, and her fiction hits with the full force of a train'
'After you've lived in Enriquez's marvellous brain for the time it takes to read The Dangers of Smoking in Bed, the known world feels ratcheted a few degrees off centre. Smoky, carnal and dazzling'
Welcome to Buenos Aires, a city thrumming with murderous intentions and morbid desires, where missing children come back from the dead and unearthed bones carry terrible curses. These brilliant, unsettling tales of revenge, witchcraft, fetishes, disappearances and urban madness spill over with women and girls whose dark inclinations will lead them over the edge.
‘Spine-tingling but stunning… these glittering, gothic stories are a force to be reckoned with, and Enriquez’s talent and fearlessness is something to behold’
‘Brilliantly unsettling… Tricking us into waiting for a ghost to 'put out its head', Enríquez surprises us with real horror’
Chris Power, Guardian
'I loved these twisted, lustful whispers in the dark. There is serious power in this writing'
Daisy Johnson, author of Sisters and Everything Under
A Guardian & Observer Best Fiction Book of 2020
A Sunday Times Best Science Fiction Book of the Year
The Times Best Science Fiction Books of the Year
NPR Best Books of the Year
World Literature Today's 75 Notable Translations of 2020
Ebook Travel Guides Best 5 Books of 2020
'She has a gift for fiction that is pure, original, revelatory.' El País
A New York Times Notable Book of 2020
They’re not pets. Not ghosts or robots. These are kentukis, and they are in your home. They’re everywhere. They’re watching you…
They've infiltrated apartments in Hong Kong, shops in Vancouver, the streets of Sierra Leone, town squares of Oaxaca, schools in Tel Aviv, bedrooms in Indiana. Anonymous and untraceable, these seemingly cute cuddly toys reveal the beauty of connection between far-flung souls – but they also expose the ugly truth of our interconnected society.
Samanta Schweblin's wildly imaginative new novel pulls us into a dark and complex world of unexpected love, playful encounters and marvellous adventures. But beneath the cuddly exterior, kentukis conceal a truth that is unsettlingly familiar and exhilaratingly real. This is our present and we’re living it – we just don’t know it yet.
*Little Eyes comes with two different covers, and the cover you receive will be chosen at random*
SHORTLISTED FOR THE MAN BOOKER INTERNATIONAL PRIZE 2017
'The book I wish I had written' Lisa Taddeo, author of Three Women and Animal
A young woman named Amanda lies dying in a rural hospital clinic. A boy named David sits beside her. She’s not his mother. He’s not her child.
The two seem anxious and, at David’s ever more insistent prompting, Amanda recounts a series of events from the apparently recent past. As David pushes her to recall whatever trauma has landed her in her terminal state, he unwittingly opens a chest of horrors, and suddenly the terrifying nature of their reality is brought into shocking focus.
One of the freshest new voices to come out of the Spanish language, Samanta Schweblin creates an aura of strange and deeply unsettling psychological menace in this cautionary tale of maternal love, broken souls and the power and desperation of family.
Now, as a young man reflecting on the tragedies of his childhood, he must find the courage to confront as an adult what he could not have known as a child, and to untangle Chile's troubled past. As he struggles to begin a novel which will encompass the clash between innocence and complicity, the boundaries between fiction and reality blur, and the beautiful Claudia comes back into his life.
One day, the mother and the dirty kid are gone, and the dismembered body of a child is found in the neighbourhood. Is the murder part of a satanic ritual, or a gangland killing? Could it be the dirty kid, and if so, is his mother a victim too; or an accomplice; or his killer?
Thrilling and terrifying, The Things We Lost in the Fire takes the reader into a world of Argentine Gothic: of sharp-toothed children; of women racked by desire; of demons who lurk beneath the river; of stolen skulls and secrets half-buried under Argentina's terrible dictatorship; of men imprisoned in their marriages, whose only path out lies in the flames.
'Nervous System is fast, uncompromising and shimmering with intelligence' Sarah Moss, author of Summerwater
'Meruane is one of the one or two greats in the new generation of Chilean writers who promise to have it all' Roberto Bolaño
A young woman struggles to finish her PhD on stars and galaxies. Instead, she obsessively tracks the experience of her own body, listening to its functions and rhythms, finally locating in its patterns the beginning of illness and instability. As she discovers the precarity of her self, she begins to turn her attention to the distant orbits of her family members, each moving away from the familial system and each so different in their experiences, but somehow made similar in their shared history of illness and trauma, both political and personal...
From Carlos Fonseca comes a dazzling, kaleidoscopic epic of art, politics, and hidden realities
Just before the dawn of the new millennium, a curator at a New Jersey museum of natural history receives an unusual invitation from a celebrated fashion designer. She shares the curator’s fascination with the secrets of the animal kingdom—with camouflage and subterfuge—and she proposes that they collaborate on an exhibition, the nature of which remains largely obscure, even as they enter into a strange relationship marked by evasion and elision.
Seven years later, after the designer’s death, the curator recovers the archive of their never-completed project. During a long night of insomnia, he finds within the archive a series of clues about the true history of the designer’s family, a mind-bending puzzle that winds from Haifa, Israel, to bohemian 1970s New York to the Latin American jungles. As he follows this trail, the curator discovers a cast of characters whose own fixations interrogate the unstable frontiers between art, science, politics, and religion. An aging photographer, living nearly alone in an abandoned mining town where subterranean fires rage without end, creates miniature replicas of ruined cities. A former model turned conceptual artist becomes the star defendant in a trial over the very soul and purpose of art. A young indigenous boy receives a vision of the end of the world. Reality is a curtain, the curator realizes, and to draw it back is to reveal the theater of the obsessed.
Natural History is a portrait of a world trapped between faith and irony, tragedy and farce. An urgent and impressively ambitious novel in the tradition of Italo Calvino and Ricardo Piglia, it confirms Carlos Fonseca as one of the most daring writers of his generation.
Winner of the Premio Valle Inclán (Spanish Translation) 2019 - Awarded by The Society of Authors
Winner of the prestigious Mexican Sor Juana Inés de la Cruz Prize 2018
'A scorching examination of how being utterly dependent on someone - even someone you love - can make you a monster' -- Literary Hub, Translated Books by Women You Need to Read
Lucina, a young Chilean writer, has moved to New York to pursue an academic career. While at a party one night, something that her doctors had long warned might happen finally occurs: her eyes haemorrhage. Within minutes, blood floods her vision, reducing her sight to sketched outlines and tones of grey, rendering her all but blind. As she begins to adjust to a very different life, those who love her begin to adjust to a very different woman - one who is angry, raw, funny, sinister, sexual and dizzyingly alive.
Despite their age gap, there's something childlike about Viejo that leads Casi to believe that he's not like the other men she's encountered, the "dangerous ones." But Viejo has a number of secrets in his past—all of which would be of grave concern to Casi's parents or any other adult who witnessed one of their rendezvous. As these secrets rise to the surface, the clock is ticking, the weather is growing cold and the school is untangling Casi's set of lies, setting up a moment where something has to give.
With spare, direct prose, Sara Mesa imbues these two outcasts with a great deal of warmth, raising questions about society's prejudices and assumptions, and creating a truly moving novel of an "inappropriate" relationship.
'This stylish debut novel by an Oscar-winning Argentine screenwriter (he co-wrote Birdman) is a suspenseful, darkly funny exploration of the creative process and the porous boundary between reality and fiction. Highly recommended' The Mail on Sunday, 'The Best New Fiction'
From the Academy Award-winning co-writer of Birdman, a wonderfully eccentric, suspenseful debut in the tradition of Misery and Kiss of the Spiderwoman about a screenwriter kidnapped by a world-famous director who orders him to compose a masterpiece.
Pablo, a failed Argentine novelist-turned-screenwriter, has been kidnapped by the greatest Latin American film director of all time and is kept in a basement where he works, day after day, on what he is told must at all costs be a great, world-changing screenplay. Every night, after finishing work on the script, Pablo writes in his notebook and every morning he crosses out what he wrote the night before. The Crossed-Out Notebook is Pablo's diary of this time: being brought food by a maid; being threatened with a gun; vociferously arguing with the director about what he's written the previous day.
The clash between the two men and their different approaches leads to a movie being made, a gun going off, an unlikely escape, and a final confrontation. In the end, The Crossed-Out Notebook is a darkly funny novel full of intrigue and surprise about the essence of the creative process; a short, crazy ode to any artist whose brilliance shines through strangeness and adversity.
In Where the Bird Sings Best —Alejandro Jodorowsky’s visionary autobiographical novel that NPR compared to One Hundred Years of Solitude and called “a genius’s surreal vision brought to life”—we followed Jodorowsky’s predecessors as they came to Chile, fleeing pogroms in Ukraine. Now, in The Son of Black Thursday, Jodorowsky himself takes the stage alongside the unforgettable cast of his early years as they confront the horrors of indentured servitude in American-backed copper mines and the brutal oppression of a corrupt government.
Alongside the young dreamer Alejandro, we follow his father, Jaime, who’s obsessed with assassinating the dictator whom he ends up serving; his mother, Sara Felicidad, a spiritually attuned giantess who moonlights as a shopkeeper-turned-revolutionary and sings instead of speaks; Rubi, the mystic heiress to the copper mines who conceives a magnificent sacrifice to foment a workers’ revolt; and the ghost of a wise rabbi who’s been passed down as mentor from one Jodorowsky generation to the next.
In its captivating blend of wonder, horror, humor, eros, and magic, The Son of Black Thursday is another mind-expanding opus from Jodorowsky that feels both cosmically true and and urgently needed for our time.
About the Author:
Alejandro Jodorowsky was born to Ukrainian Jewish immigrants in Tocopilla, Chile, in 1929. Internationally renowned as a filmmaker for The Holy Mountain and El Topo and for his starring role in Jodorowsky’s Dune, Jodorowsky has also produced comics, plays, books on Psychomagic and Tarot, and two other novels published by Restless Books: Where the Bird Sings Best and Albina and the Dog-Men.
About the Translator:
Megan McDowell is a Spanish-language literary translator from Kentucky. Her work includes books by Alejandro Zambra, Samanta Schweblin, Lina Meruane, Mariana Enríquez, Álvaro Bisama, Arturo Fontaine, and Juan Emar. Her translations have been published in The New Yorker, The Paris Review, Tin House, McSweeney's, Words Without Borders, Mandorla, and VICE, among others. Her translation of Zambra's novel Ways of Going Home won the 2013 PEN Award for Writing in Translation. She lives in Santiago, Chile.