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'The stand-out read of the summer. It's a masterclass in brilliant writing and whether you've read the earlier books in the series or not, you'll enjoy it.' Independent
'Like all good detectives, he is a hero for men and women alike.' The Times
'Laced with Atkinson's sharp, dry humour, and one of the joys of the Brodie novels has always been that they are so funny.' Observer
Jackson Brodie has relocated to a quiet seaside village in North Yorkshire, in the occasional company of his recalcitrant teenage son Nathan and ageing Labrador Dido, both at the discretion of his former partner Julia. It's a picturesque setting, but there's something darker lurking behind the scenes.
Jackson's current job, gathering proof of an unfaithful husband for his suspicious wife, seems straightforward, but a chance encounter with a desperate man on a crumbling cliff leads him into a sinister network-and back into the path of someone from his past. Old secrets and new lies intersect in this breathtaking new literary crime novel, both sharply funny and achingly sad, by one of the most dazzling and surprising writers at work today.
What readers are saying:
***** 'A glorious tapestry of storytelling.'
***** 'An intelligently written, gripping book with characters you fall in love with.'
***** 'Sheer genius, with the characteristic thread of humour.'
The first Jackson Brodie novel: literary crime from the prizewinning, number-one bestselling author of Big Sky and Transcription.
'An astonishingly complex and moving literary detective story that made me sob but also snort with laughter. It's the sort of novel you have to start rereading the minute you've finished it' Guardian
Cambridge is sweltering, during an unusually hot summer. To Jackson Brodie, former police inspector turned private investigator, the world consists of one accounting sheet - Lost on the left, Found on the right - and the two never seem to balance.
Surrounded by death, intrigue and misfortune, his own life haunted by a family tragedy, Jackson attempts to unravel three disparate case histories and begins to realise that in spite of apparent diversity, everything is connected...
The fourth Jackson Brodie novel: literary crime from the prizewinning number-one bestselling author of Big Sky and Transcription.
'Crime has given Atkinson the freedom to write an ambitious, panoramic work, full of excitement, colour and compassion' Sunday Times
A day like any other for security chief Tracy Waterhouse, until she makes a shocking impulse purchase. That one moment of madness is all it takes for Tracy's humdrum world to be turned upside down, the tedium of everyday life replaced by fear and danger at every turn.
Witnesses to Tracy's outrageous exchange in the Merrion Centre in Leeds are Tilly, an elderly actress teetering on the brink of her own disaster, and Jackson Brodie, who has returned to his home county in search of someone else's roots. All three characters learn that the past is never history and that no good deed goes unpunished.
WINNER OF THE COSTA NOVEL AWARD: the acclaimed number one bestselling novel.
'A box of delights. Ingenious in construction, indefatigably entertaining, it grips the reader's imagination on the first page and never lets go. If you wish to be moved and astonished, read it. And if you want to give a dazzling present, buy it for your friends.' HILARY MANTEL, author of THE MIRROR AND THE LIGHT
What if you had the chance to live your life again and again, until you finally got it right?
During a snowstorm in England in 1910, a baby is born and dies before she can take her first breath.
During a snowstorm in England in 1910, the same baby is born and lives to tell the tale.
What if there were second chances? And third chances? In fact an infinite number of chances to live your life? Would you eventually be able to save the world from its own inevitable destiny? And would you even want to?
Life After Life follows Ursula Todd as she lives through the turbulent events of the last century again and again. With wit and compassion, Kate Atkinson finds warmth even in life's bleakest moments, and shows an extraordinary ability to evoke the past. Here she is at her most profound and inventive, in a novel that celebrates the best and worst of ourselves.
'There aren't enough breathless adjectives to describe Life After Life: Dazzling, witty, moving, joyful, mournful, profound. Wildly inventive, deeply felt. Hilarious. Humane. Simply put: it's one of the best novels I've read this century' GILLIAN FLYNN, number 1 bestselling author of Gone Girl, Sharp Objects and Dark Places
'Merging family saga with a fluid sense of time and an extraordinarily vivid sense of history at its most human level. A dizzying and dazzling tour de force' DAILY MAIL
'Absolutely brilliant...it reminded me a bit of her first book Behind the Scenes at the Museum, which is one of my most favourite books ever.' MARIAN KEYES, author of GROWN UPS
'Truly brilliant...Think of Audrey Niffenegger's The TimeTraveler's Wife or David Nicholl's One Day...[or] Martin Amis's Times Arrow.... This is a rare book that you want to start again the minute you have finished.' THE TIMES
THE NO.1 SUNDAY TIMES BESTSELLER BY AWARD WINNER KATE ATKINSON
'An unapologetic novel of ideas which is also wise, funny and paced like a thriller' Observer
In 1940, eighteen-year old Juliet Armstrong is reluctantly recruited into the world of espionage. Sent to an obscure department of MI5 tasked with monitoring the comings and goings of British Fascist sympathizers, she discovers the work to be by turns both tedious and terrifying. But after the war has ended, she presumes the events of those years have been relegated to the past for ever.
Ten years later, now a producer at the BBC, Juliet is unexpectedly confronted by figures from her past. A different war is being fought now, on a different battleground, but Juliet finds herself once more under threat. A bill of reckoning is due, and she finally begins to realize that there is no action without consequence.
Transcription is a work of rare depth and texture, a bravura modern novel of extraordinary power, wit and empathy. It is a triumphant work of fiction from one of this country’s most exceptional writers.
'How vehemently most novelists will wish to produce a masterpiece as good' Telegraph
Twenty-fifth anniversary edition of Kate Atkinson’s brilliant and unforgettable first novel, which won the Whitbread (now Costa) Book of the Year Prize.
'Delivers its jokes and its tragedies as efficiently as Dickens...outrageously funny...will dazzle readers for years to come' - HILARY MANTEL, author of The Mirror and the Light
Ruby Lennox was conceived grudgingly by Bunty and born while her father, George, was in the Dog and Hare in Doncaster telling a woman in an emerald dress and a D-cup that he wasn't married. Bunty had never wanted to marry George, but here she was, stuck in a flat above the pet shop in an ancient street beneath York Minster, with sensible and sardonic Patrica aged five, greedy cross-patch Gillian who refused to be ignored, and Ruby...
Ruby tells the story of The Family, from the day at the end of the nineteenth century when a travelling French photographer catches frail beautiful Alice and her children, like flowers in amber, to the startling, witty, and memorable events of Ruby's own life.
'Little short of a masterpiece...Fizzing with wit and energy, Kate Atkinson's hilarious novel made me laugh and cry' Daily Mail
'An astounding book...without doubt one of the finest novels I have read for years' THE TIMES
The third Jackson Brodie novel, winner of Richard & Judy's Best Read: literary crime from the number-one bestselling author of Big Sky and Transcription.
'An exhilarating read. Her wry humour, sharp eye for the quirks of human behaviour and subtle characterisation are a constant joy' Daily Mail
In a quiet corner of rural Devon, a six-year-old girl witnesses an appalling crime. Thirty years later the man convicted of the crime is released from prison.
In Edinburgh, sixteen-year-old Reggie, wise beyond her years, works as a nanny for a G.P. But her employer has disappeared with her baby, and Reggie seems to be the only person who is worried. Across town, Detective Chief Inspector Louise Monroe is also looking for a missing person, unaware that hurtling towards her is a former acquaintance – Jackson Brodie – himself on a journey that becomes fatally interrupted.
The second Jackson Brodie novel (after Case Histories): literary crime from the prizewinning, number-one bestselling author of Big Sky and Transcription.
'An absolute joy to read...the pleasure of One Good Turn lies in the ride, in Atkinson's wry, unvanquished characters, her swooping, savvy, sarcastic prose and authorial joie de vivre' Guardian
It is summer, it is the Edinburgh Festival. People queuing for a lunchtime show witness a road-rage incident - a near-homicidal attack which changes the lives of everyone involved. Jackson Brodie, ex-army, ex-police, ex-private detective, is also an innocent bystander - until he becomes a murder suspect.
As the body count mounts, each member of the teeming Dickensian cast's story contains a kernel of the next, like a set of nesting Russian dolls. They are all looking for love or money or redemption or escape: but what each actually discovers is their own true self.
From the NUMBER 1 bestselling author of BIG SKY and TRANSCRIPTION
On a peat and heather island off the west coast of Scotland, Effie and her mother Nora take refuge in the large mouldering house of their ancestors and tell each other stories.
Nora, at first, recounts nothing that Effie really wants to hear, like who her father was - variously Jimmy, Jack, or Ernie. Effie tells of her life at college in Dundee, where she lives in a lethargic relationship with Bob, a student who never goes to lectures, seldom gets out of bed, and to whom the Klingons are as real as the French and the Germans (more real than the Luxemburgers).
But strange things are happening. Why is Effie being followed? Why is everyone writing novels? Is someone killing the old people? And where is the mysterious yellow dog?
'Sends jolts of pleasure off the page...Kate Atkinson's funniest foray yet...it is a work of Dickensian or even Shakespearean plenty' SCOTSMAN
'A brilliant and profoundly original writer' DAILY TELEGRAPH
WINNER OF THE 2015 COSTA NOVEL AWARD AND BESTSELLING LITERARY PAPERBACK OF THE YEAR
'Atkinson's finest work, and confirmation that her genre-defying writing continues to surprise and dazzle' Observer
A God in Ruins relates the life of Teddy Todd – would-be poet, heroic World War II bomber pilot, husband, father, and grandfather – as he navigates the perils and progress of the 20th century. For all Teddy endures in battle, his greatest challenge will be to face living in a future he never expected to have.
This gripping, often deliriously funny yet emotionally devastating book looks at war – that great fall of Man from grace – and the effect it has, not only on those who live through it, but on the lives of the subsequent generations. It is also about the infinite magic of fiction. Few will dispute that it proves once again that Kate Atkinson is one of the most exceptional novelists of our age.
'A dazzling read...ends on one of the most devastating twists in recent fiction' DAILY TELEGRAPH
I can think of few writers who can make the ordinary collide with the extraordinary to such beguiling effect...left me so fizzing with admiration' Observer
A stunning collection of short stories by the three-times Costa prizewinner
Not the End of the World is Kate Atkinson's first collection of short stories. Playful and profound, they explore the world we think we know whilst offering a vision of another world which lurks just beneath the surface of our consciousness, a world where the myths we have banished from our lives are startlingly present and where imagination has the power to transform reality.
From Charlene and Trudi, obsessively making lists while bombs explode softly in the streets outside, to gormless Eddie, maniacal cataloguer of fish, and Meredith Zane who may just have discovered the secret to eternal life, each of these stories shows that when the worlds of material existence and imagination collide, anything is possible.
The brilliant and profound second novel from the three-times Costa prizewinner and number one bestseller Kate Atkinson.
'Vivid, richly imaginative, hilarious and frightening by turns' Observer
Once it had been the great forest of Lythe. And here, in the beginning, lived the Fairfaxes, grandly, at Fairfax Manor.
But over the centuries the forest had been destroyed, replaced by Streets of Trees. The Fairfaxes have dwindled too; now they live in 'Arden' at the end of Hawthorne Close and are hardly a family at all.
But Isobel Fairfax, who drops into pockets of time and out again, knows about the past. She is sixteen and waiting for the return of her mother - the thin, dangerous Eliza with her scent of nicotine, Arpège and sex, whose disappearance is part of the mystery that still remains at the heart of the forest.